poets 3

Mar. 4th, 2008 07:27 am
bardiphouka: (Default)
[personal profile] bardiphouka
TS Eliot


3. Preludes


I

THE WINTER evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps 5
The grimy scraps
Of withered leaves about your feet
And newspapers from vacant lots;
The showers beat
On broken blinds and chimney-pots, 10
And at the corner of the street
A lonely cab-horse steams and stamps.
And then the lighting of the lamps.

II

The morning comes to consciousness
Of faint stale smells of beer 15
From the sawdust-trampled street
With all its muddy feet that press
To early coffee-stands.
With the other masquerades
That time resumes, 20
One thinks of all the hands
That are raising dingy shades
In a thousand furnished rooms.

III

You tossed a blanket from the bed,
You lay upon your back, and waited; 25
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back 30
And the light crept up between the shutters
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where 35
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.

IV

His soul stretched tight across the skies
That fade behind a city block, 40
Or trampled by insistent feet
At four and five and six o’clock;
And short square fingers stuffing pipes,
And evening newspapers, and eyes
Assured of certain certainties, 45
The conscience of a blackened street
Impatient to assume the world.

I am moved by fancies that are curled
Around these images, and cling:
The notion of some infinitely gentle 50
Infinitely suffering thing.

Wipe your hand across your mouth, and laugh;
The worlds revolve like ancient women
Gathering fuel in vacant lots.

Date: 2008-03-04 02:31 pm (UTC)
From: [identity profile] laviniaspeaks.livejournal.com
I've always been particularly attracted to East Coker, of the Four Quartets.

My friend Kate always said that Eliot was too damn pretentious. I think it was this very thing that made his imagery so strong, his words so very visceral. Although I wouldn't necessarily call it pretentiousness, but he does have a bit of an arrogant air about him. Perhaps that is why I am attracted to his poetry.

Date: 2008-03-04 06:38 pm (UTC)
From: [identity profile] bardiphouka.livejournal.com
From what I have heard he was pretentious and arrogant. His poetry on the other hand was at times devious,deceptive or blatantly challenging in ways only a master of words could handle.

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