Let us go then, said the woman who has
eyes the colour of Mozart and hands that
look like they are about to touch the past
yet again in the morning of our
discovery that the City moves and yet
floats unmoving and the memories
of a woman whose age, like the City,
floats without growing old , only growing
more and more in the soft light of
dawn as she prepares to go.
eyes the colour of Mozart and hands that
look like they are about to touch the past
yet again in the morning of our
discovery that the City moves and yet
floats unmoving and the memories
of a woman whose age, like the City,
floats without growing old , only growing
more and more in the soft light of
dawn as she prepares to go.
127.0.0.1
127.0.0.1
He whispers to himself
walking down the street
listening to the cadence of
his feet, of everyone's feet
like sound bytes following
him from his computer.
127.0.0.1
127.0.0.1
She whispers to herself
walking down the street
part of her deconstructing
the streets and the people
that she passes by
intol infinite pixels
127.0.0.1
127.0.0.1
They pass each other every day
whispering each other's
secret name.
(for those unaware, 127.0.0.1 means home)
127.0.0.1
He whispers to himself
walking down the street
listening to the cadence of
his feet, of everyone's feet
like sound bytes following
him from his computer.
127.0.0.1
127.0.0.1
She whispers to herself
walking down the street
part of her deconstructing
the streets and the people
that she passes by
intol infinite pixels
127.0.0.1
127.0.0.1
They pass each other every day
whispering each other's
secret name.
(for those unaware, 127.0.0.1 means home)
One thing poets and politicians have in common
to start a subject with "I had a dream"
I had a dream, no.
Dear City I rode in the first time on a
bus when they still smelled
like dead dinosaurs in the dead of night.
But I was wide awake because the
City is no dream, nor nightmare but
the sounds and smells and grit
of reality
power is so much more intense when
felt with the breaths of life.
to start a subject with "I had a dream"
I had a dream, no.
Dear City I rode in the first time on a
bus when they still smelled
like dead dinosaurs in the dead of night.
But I was wide awake because the
City is no dream, nor nightmare but
the sounds and smells and grit
of reality
power is so much more intense when
felt with the breaths of life.
Is there a game tonight?
What I want to say..
A Game? Lady, this is
the City where all of life
is a game within a game.
games about names
about fames about
the passions
compassions
rations of feeling
or reeling with abandon
money, being funny growing
to the best or the worst
First in the dreams
screams unknown
thrown because in the end
even when we do not know
about it there is The Game
but...
Yes m'am, the Reds are playing tonight.
What I want to say..
A Game? Lady, this is
the City where all of life
is a game within a game.
games about names
about fames about
the passions
compassions
rations of feeling
or reeling with abandon
money, being funny growing
to the best or the worst
First in the dreams
screams unknown
thrown because in the end
even when we do not know
about it there is The Game
but...
Yes m'am, the Reds are playing tonight.
Gene Kelly may sing in the rain, but
here in the City where JustSpring
has come carried along the river
by rising temperatures and
sunlight that comes with light
and bright smiles
Here the City uncovers
a choreography with the
conversations, gestures
dancing bodies alive and
moving within the
movements and the words
Summer may drain but
for now the streets are
alive and dancing life
word by word by word.
here in the City where JustSpring
has come carried along the river
by rising temperatures and
sunlight that comes with light
and bright smiles
Here the City uncovers
a choreography with the
conversations, gestures
dancing bodies alive and
moving within the
movements and the words
Summer may drain but
for now the streets are
alive and dancing life
word by word by word.
The office workers and the tourists
do not see the Saint of Vine Street
coat upon coat, like secret powers
one sock up and one down,
She scuffles in a slow, slow dance
with the concrete, a prayer for
those who see the Saint of Vine Street
and smile at her in understanding.
a crumb for the pigeons a candy
for the invisible children so like her.
she who has nothing manages
to give so much on the streets
where the office workers and the tourists
do not see the Saint of Vine Street.
do not see the Saint of Vine Street
coat upon coat, like secret powers
one sock up and one down,
She scuffles in a slow, slow dance
with the concrete, a prayer for
those who see the Saint of Vine Street
and smile at her in understanding.
a crumb for the pigeons a candy
for the invisible children so like her.
she who has nothing manages
to give so much on the streets
where the office workers and the tourists
do not see the Saint of Vine Street.
If you stand perfectly still, this short walk from the river
you can hear the echoes., the past heartbeats of the city.
Wolves padding quietly and then howling at the chase,
Shawnee turni gg their head sharply at the sound of
a tree falling from one last swing of an axe, saws and
sharp tools bringing a home to last by the shores.
People shouting along the river, their wares onboard
the steaming ships, the flatboats, the loads of
pigs and oats, lumber, whiskey, slaves
to and from, up river down river a steady flow of
a City's life being created.
The screaming of Irish hate over the draft, Confederates
moving silent through the crows as the flames lick through
the buildings the sounds of paradox in the bright haze.
The long low belching of the trains rattling along
the burnished tracks without stop
The sound of the wagons moving slowly up and down
the streets, the heritage of plague to flu looking for
the dead, the long lined shuffle two decades later
from the jobless, the homeless, the hopeless.
And then the trains again, duets with the first
large engine planes and the flood of monochrome
passengers, olive or white the child-men on their
way to make a world, unmake a world,
survive the sounds and smoke of war.
Unlike past sounds the guitars crescendo the
counterpoint with the riots of this year, that year
the escalating of firearms and their sharp, strident
announcements and these are the echoes of the city
weaving around the sounds of engines and tires and
the soft, soft cooing of a pigeon before it
skitters away from a laughing child in the CIty.
you can hear the echoes., the past heartbeats of the city.
Wolves padding quietly and then howling at the chase,
Shawnee turni gg their head sharply at the sound of
a tree falling from one last swing of an axe, saws and
sharp tools bringing a home to last by the shores.
People shouting along the river, their wares onboard
the steaming ships, the flatboats, the loads of
pigs and oats, lumber, whiskey, slaves
to and from, up river down river a steady flow of
a City's life being created.
The screaming of Irish hate over the draft, Confederates
moving silent through the crows as the flames lick through
the buildings the sounds of paradox in the bright haze.
The long low belching of the trains rattling along
the burnished tracks without stop
The sound of the wagons moving slowly up and down
the streets, the heritage of plague to flu looking for
the dead, the long lined shuffle two decades later
from the jobless, the homeless, the hopeless.
And then the trains again, duets with the first
large engine planes and the flood of monochrome
passengers, olive or white the child-men on their
way to make a world, unmake a world,
survive the sounds and smoke of war.
Unlike past sounds the guitars crescendo the
counterpoint with the riots of this year, that year
the escalating of firearms and their sharp, strident
announcements and these are the echoes of the city
weaving around the sounds of engines and tires and
the soft, soft cooing of a pigeon before it
skitters away from a laughing child in the CIty.
There is something different about the city
when behind the wheel, windows rolled,
sounds muted if heard at all.
I remember 8mm films, bright colours
but no sounds as if the present in that
past was silent.
People, cars, birds buses, flags
snapping high above the street
birds playing with the flapping shadows.
I turn the radio on and turn
from station to station
until I find the city's soundtrack.
when behind the wheel, windows rolled,
sounds muted if heard at all.
I remember 8mm films, bright colours
but no sounds as if the present in that
past was silent.
People, cars, birds buses, flags
snapping high above the street
birds playing with the flapping shadows.
I turn the radio on and turn
from station to station
until I find the city's soundtrack.
This block is for money and the suits,male
and female scurrying with hunger and belief
This block is for the dinners and the diners
and tasting of what money cooks
This block is for the music and the shows
that make the monied people feel ever so real
This block is full of ghosts. See
the buildings calcified, some with
windows some blind as blind can be
these are the real ghosts
the buildings of an older city.
and female scurrying with hunger and belief
This block is for the dinners and the diners
and tasting of what money cooks
This block is for the music and the shows
that make the monied people feel ever so real
This block is full of ghosts. See
the buildings calcified, some with
windows some blind as blind can be
these are the real ghosts
the buildings of an older city.
The streets are metal and light off windows.
of cars bent around corners, trucks and
buses, horns and engines revving
iin artificial hunger and desire
It is sterile it is as
lifeless walls and sidewalks where
a small girl reaches for her mother's hand.
the girl chatters full of being four and the
chatter is so much laughter and the
mother smiles, the daughter smiles
and the smiles jump from
heart to heart
and here is where cities should start.
of cars bent around corners, trucks and
buses, horns and engines revving
iin artificial hunger and desire
It is sterile it is as
lifeless walls and sidewalks where
a small girl reaches for her mother's hand.
the girl chatters full of being four and the
chatter is so much laughter and the
mother smiles, the daughter smiles
and the smiles jump from
heart to heart
and here is where cities should start.
High overhead
the city, the world,
The Peregrines with brood
watch over their dominion.
the pigeons, blind and
oblivions to any
impending doom.
The starlings hoping
inside their dna that
their size means safety.
The Peregrines
watch over their dominion above
the concrete canyons
the crowless concrete canyons
that keep their kingdom theirs.
A dark shadow flys over head and the
feathers ruffle for a moment
high overhead
the city, the world
the city, the world,
The Peregrines with brood
watch over their dominion.
the pigeons, blind and
oblivions to any
impending doom.
The starlings hoping
inside their dna that
their size means safety.
The Peregrines
watch over their dominion above
the concrete canyons
the crowless concrete canyons
that keep their kingdom theirs.
A dark shadow flys over head and the
feathers ruffle for a moment
high overhead
the city, the world