bardiphouka: (chair)

His vest was missing a button,
something almost unseen in the
splatter of age in the tintype.

Seen from a small distance it is
possible that you would miss the
mahogany stake behind him

Or the fact that his eyes do not
show you his dreams or what
his life,now gone, would have been like.

bardiphouka: (chair)
The machines that had
surrounded her bed
were shut off, one
after the other,
no longer needed as
her body, still,
released her at last
into the Dance that
Life brings us to when
music is not enough/
bardiphouka: (chair)
Times and tones,
the sounds of our creation
changes from decade to decade.
From the whispering sound of nib on paper,
or pencil on paper turned
to the hard
clack clack clack clack
or an old upright Underwood and the
harsh woooooooooOOSSSHHHH as it
brought the thought back to the next line.
And now back to soft pattering like spring showers
as fingers move across the keyboard on my lap.

And yet those are the sounds that are truly the echoes
of the sounds of each word and line and poem
which are and will remain the same to you the reader.
bardiphouka: (chair)
Once upon a time
according to history and legend
there were gods and monsters,
moonglad sunclad dancers of
magic as humanity grew

Sometimes the only things that change
are the ingredients that create
the mysteries we dance in silence
even though we have often left the magic behind
we are become as gods and monsters.
bardiphouka: (chair)
1915

Nature has no cruelty but is.
Simply is, the red streak of the hawk
circling lawns with no more hostile thought
than Mr Jones circling the Sunday
buffet with its blood red trench of fruit.

But in the War of Wars cruelty
was a lackluster state of being.
Biplanes dressed in weapons and linen
watching hell erupt from the trenches
and then they  were attacked, attacking
taking their turns with the enemy
at being the mad, red hawks of war


(this is,btw, a challenge for syllabic verse. 9 syllables to be precise. )
bardiphouka: (chair)
Love can be loud
strong winds
chasing strong wings
that lead from
honking to tight circles
of courtship.
bardiphouka: (chair)
There is a soft burr of tires
on old road scars with the
occasional growl of cars with
lost exhaust, only the sounds
coming harsh in contrast with
soft massage of tires.

Far up the street a siren begins
to create new sounds from
whatever pain they carry to
the complex of hospitals, not seeing
the young couple with the curious dog,
the three paying no attention to
tires or growls or sirens or
anything but wonder of being together.
bardiphouka: (chair)
Welcome to the Square and Springtime,
Santa with wheeled luggage boards the Airport shuttle,
his long white beard and the white knob of his hat
doing an improve dance in the wind.
There are people walking in and out of the afternoon shadows
some of them talking to each other
some talking through their buds or bluetooth for mobiles
some of them talking to the small were once and might have beens
that hide from the earth inside collars.

A woman dressed in cotton and age stands and
feeds the pigeons scraps of foreign poetry for this
is the Square and Springtime
bardiphouka: (chair)
lines

On a Spring day in another century,
sitting in the grass outside the library.

She asks if she can read my palm. I hold it out
and watch her face as she talks about
lines braiding and lovers upsetting fate.
There is a trace of fear as she backs away,
no need to pay have a good day.

My hands have brought words and played music
and that is as much fate as I know
especially on a warm Spring day.
bardiphouka: (chair)
Verdant

Each Spring
has its own shade of green.
The Spring
she died did not change that.
Or the rain
or the Sunshine
or anything

but the colourless space left in my heart.
That only hopes there will be a Spring
with her shade of green
where she will not be dead. 
bardiphouka: (chair)
Weather

The weather wears you
in all the songs it carries
across the day
across the night.

The weather wears you
wraps sun and storm around
the secrecy of what makes you you
that shapes you in and out

The weather wears you,
welcomes you to the world,
breezes next to you and yours
those same breezes whispering

a soft farewell as you move
beyond weather and yourself.
bardiphouka: (chair)
rags

Lovers and dreamers
and other truths and lies.
they come and go without knowing
they are each of them their own book.
Only waiting the feel of the rag content and
the scent of the pages as they turn, the
pages that are full
of lovers and dreamers.
bardiphouka: (chair)
Grey

The sky is a cluster of grey variations
There is an emptiness where the birds would be,
full of song and choreography but now they
are tucked inside nests and trees and buildings

This is the silence that clears a path to the Storm.
Even now I remember those paths, feeling the calm
that goes before the building, sitting in the tall grass
outside the woods outside
a world that carries its own storms.
But I can remember

sometimes I can wrap myself away from the concrete
Storm with its decaying by remembering the
green and grey and silence.
bardiphouka: (chair)
15 April,1945

Regardless of all the myths and legends
and monsters we have created under the bed,
nobody was ready for this.
A world which suddenly smelled of pain and ash and blood.
bodies stacked upon each other as if they were
bad sentences in a story of horror without end.

Death city after death city uncovered
in the Spring of Hell returning home
this time at east. The bodies wrapped around
each other in stillness.
And the skeletons walking slowly, slowly
and finding the one word they had thought impossible.

the possibility of Tomorrow.
bardiphouka: (chair)
6AM

21st Century visigoths gather in aimless waves
leaderless they ebb and flow against the hotel doors
waiting for tourists and business men. but
the truth is the tattered jackets and plastic bag apartments
are accessories. What these people have become are
the ghosts of the individuals they would have
grown to in time.  A world where hope is not drowned
in the desolation and drugs that have become their all.
bardiphouka: (chair)
Loving Cup

Live as a child is a series of adventures
that we both remember and forget depending
on where life and dreaming leaves us off.
scattered in the tall trees and high blossoms
had been houses, come and gone over the centuries.
on weekends we would shuffle through bracken looking
for the impact of civilisation on the mountains.
One weekend we were cowboys and indians chasing each other
through famous battles when we say a glistening.

Buried in the dark loam was a loving cup. An old design
with lettering only vague by now.
An award won by someone or such decades ago at least.
It was Paddy decided the mountain deserved the trophy.

I had wondered if he ever won a trophy on his own.
Although later I heard he did not return from the Falklands.

Lately I have been thinking of the load and forests and the
cool mountains and the treasure hunts
that led us to find, without knowing it, the treasures of friendship.
bardiphouka: (chair)

there are too many and too few syllables in Haikus
to describe or define you in the growing days when
I dream of the yes and yes and yes again trying
to ignore the silence that I know daylight will bring.

bardiphouka: (chair)

Life

Life, at times, pays no attention to you,
It knows that the time will come
as it always does when you will throw it over
for its younger sibling Death.

For Life is, after all, the older of the two.
There could be no death without life.
but there will come a time when you smile at something
a rainbow, a bad joke, the unexpected largesse of a lover

and Life, being Life
will forgive you for what you have not yet done.

bardiphouka: (chair)

Spring

This is not that Spring when
I lived on music and the largess of
coffee houses and motel chains.
mostly the latter until the music
got upset and withdrew the reason for the
music in my life as it were and like
this Spring where I have been left
alone in ways I could not know and
there is no music whispering.

bardiphouka: (chair)

April 11-2015

there are too many and too few syllables in Haikus
to describe or define you in the growing days when
I dream of the yes and yes and yes again trying
to ignore the silence that I know daylight will bring.

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